A cashless layer that runs across every stop of the run: a ticket-linked bracelet that carries the ticket, the wallet and the fan record, one settlement rail per market, and a partner slot for the wallet, the telco, the acquirer and the remittance house. Built for the Philippine leg and adapted honestly for the ten overseas dates.
Leftover balance is refunded to the wallet or donated on the way out, chosen at the gate. The band also carries the artist drops, the guest list check and the entry log, so one device does the work of three.
The hub is deliberately thin. H4H does not become a wallet or a bank. We own the bracelet, the venue network and the fan data consent, then let a licensed partner move the money. That keeps the compliance burden with the partner that already holds the licence, and it lets a different partner own each market without breaking the fan experience.
Twelve hours of dwell time per fan, a closed venue where cash is slow, and a Filipino audience that already lives in e-wallets. The tour is the cheapest customer-acquisition channel a payments brand can buy, and the bracelet gives them the physical surface for it on 122,990 wrists.
| Slot | Territory | Status |
|---|---|---|
| Wallet and load rail | Philippines, 30 dates | In discussion · GCash |
| Mobile and data | Philippines | Globe · Smart |
| Second wallet, card acquiring | Philippines | Open |
| Bracelet manufacture and fulfilment | All 48 dates | Open |
| Remittance and send-home desk | AU, CA, U.S. dates | Open |
| Ticket instalments | All dates | Open |
| Loyalty and rewards | All dates | Open |
Nothing in the slots table is signed. GCash, Globe and Smart are conversations in progress and are recorded that way in Terrain.
Philippines, 30 dates. The whole stack works. GCash and Maya both have deep penetration, QR is normal, and a tap-to-pay bracelet reads as an upgrade rather than a novelty.
Australia and Canada, 10 dates. Local wallets do not interoperate with GCash, so the venue runs on card and contactless acquiring with a QR fallback. The Filipino angle moves to the second rail: a send-home desk where a fan remits to family at the show, which is the behaviour that actually travels.
United States, 8 dates. Same as Canada, with one addition worth testing: a prepaid band the fan can top up by card, then gift a balance to family in the Philippines. It is a remittance product in festival clothing.
| Line | Basis | PHP |
|---|---|---|
| Tap-spend share | 67,644 tappers × 620 × 1.2% | 503,000 |
| Sponsored band inventory | 122,990 × 25 net | 3,075,000 |
| Load-promo co-funding | flat, PH leg | 1,500,000 |
| Send-home desk share | 3,330 sends × 60 | 200,000 |
| Total | 5,278,000 |
These are modelling assumptions, not quotes: 55% cashless attach, PHP 620 average venue spend, 1.2% share of the merchant rate, PHP 25 net margin per sponsored band, 15% of overseas fans using the desk. Replace them with partner terms before anything goes out.
Seat and date figures are taken from Terrain, the tour system of record, on 3 Nov 2026. Volunteer cashiers, float management and reconciliation sit with tour ops; licensed money movement sits with the partner. Everything above is a proposal for discussion, not an offer of terms.
Midnasty & Friends across the Philippines, Australia, Canada and the United States. One bracelet, one wallet, one settlement rail per market.